Milly Grey.

Milly Grey is the contemporary end of the Egyptian palette. Where the creams and beiges are warm and even, this one is cool and weathered: a grey ground with soft, drifting movement through it, closer to sky than to stone at a distance.

It is the Egyptian marble that sits with concrete, glass, blackened steel and dark joinery — the palette the creams fight. For a project that wants Egyptian supply and a northern European look, this is usually the answer.

Brushed, it is among the best-wearing surfaces in the range: the texture takes the softer minerals back and hides wear that would show on a polished face. Honed for floors, polished where the movement should read at full contrast.